Heath Ledger Is Dead

The life and career of Heath Ledger, a deeply talented guy who sometimes played romantic heroes and at other times quirky loner roles that worked against his dashing good looks, is over. The brooding 28 year-old was found dead in a Manhattan Broome Street apartment earlier this afternoon.

A CNN report says “a possible drug overdose was suspected” but a city desk N.Y. Times story says “signs pointed to a suicide.”

This is not a cause for weeping as much as a cause for anger and indignation. Brilliant, Heath! I knew him to say hello to, having bonded slightly during the 2005 Toronto Film Festival showings of Brokeback Mountain. He never gave me a guarded response to questions, was always cool about encounters. He liked to scrunch his face up instead of smile when I took his picture. He was shy, private, “moody.” Maybe he should have allowed less of those feelings in because this is totally friggin’ ridiculous. Heath Ledger dead?

A long lifetime of great performances lay ahead for Ledger. He could have easily kept working into old age as he never gave a damn about playing hunks — and now his life is over, his daughter (whom he had with ex-wife Michelle Williams) is father-less, and Warner Bros. is looking at some kind of uncertain future for The Dark Knight, which Ledger plays “The Joker” alongside costars Christian Bale and Michael Caine.

We all know what Warner Bros., the distributor of Chris Nolan‘s second Batman film, is going to say about this this tragic news. They’ll say the same thing that Warner Bros. said about James Dean‘s death when he was killed in a car crash in September 1955 with two movies yet to open — Rebel Without a Cause and Giant. They’ll say “this is a very sad time for all of us, and not a time for discuss grosses.”

But you know and I know that the WB hardballers are asking themselves right now, “Will this adversely impact the Dark Knight box-office or will it enhance it, or will it have no impact?” The latter, I would think.

The Times story says that Ledger “was found dead this afternoon in an apartment in Manhattan, according to the New York City police. Signs pointed to a suicide, police sources said. Mr. Ledger was 28.

“At 3:31 p.m., a masseuse arrived at Apartment 5A in the building, at 421 Broome Street in SoHo, for an appointment with Mr. Ledger, the police said. The masseuse was let in to the home by a housekeeper, who then knocked on the door of the bedroom Mr. Ledger was in. When no one answered, the housekeeper and the masseuse opened the bedroom and found Mr. Ledger naked and unconscious on a bed, with pills scattered around his body. They shook him, but he did not respond. They immediately called the authorities.”
“The police said they did not suspect foul play.”

Ledger was nominated for an Academy Award in early ’06 for his performance as a closeted sheepherder in Ang Lee‘s Brokeback Mountain.

Here’s an updated 6 pm version of the N.Y. Times story.

Virus in the system

I have a virus-fever in my system and it aches, it’s exhausting and it’s slowing me down with the postings. An hour ago I leaned over on the bench at the Star Hotel breakfast table and went to sleep. So we’re lookiing at a Sundance shut-down today and perhaps also tomorrow. Staying indoors, drinking liquids, sleeping (if I can). I’ll try and get into more stuff when I wake up.

Four Monday photos


Patti Smith and her band performing a tight, awesome set at Park City’s Music Cafe on upper Main Street — Monday, 1.21, 6:50 pm

The Black List producer-writer Elvis Mitchell in front of the Yarrow with a real-deal Cuban Cohiba cigar — Monday, 1.21, 2:35 pm. The doc screens for the public this evening in Park Cty.
Ballast star JimMyron Ross (r.). I’v’e lost my notes identifying who the young guy is, but it’s either Jimez Alexander, Jean Paul Guillory, Marcus Alexander, Marquice Alexander or Lawrence Jackson. Prior to yesterday’s noon screening of Ballast at the Eccles — 1.21, 11:35 am.

Henry Poole Was Here director-writer Mark Pellington at Eccles lecturn prior to yesterday afternoon’s showing.

Second Nomination Crop

Not quite the full remainder of this morning’s Oscar nominations, with predictions and quips:
BEST FOREIGN FILM: Beaufort, Israel; The Counterfeiters, Austria; Katyn, Poland; Mongol, Kazakhstan; and 12, Russia. The year’s finest foreign language film is 4 Months, 3 Weeks and 2 Days. The people who excluded it are morons and need to be identified and divested of power. What Will Win?: Nobody cares. The whole category has been soiled by the 4 Months brouhaha.
BEST ANIMATED FILM: Persepolis, Ratatouille and Surf’s Up. What Will Win?: Ratatouille.
BEST ORIGINAL SCREENPLAY: Juno, Lars & the Real Girl, Michael Clayton, Ratatouille, The Savages. Who/What Will Win?: Diablo Cody for Juno or Tony Gilroy for Michael Clayton.
BEST ADAPTED SCREENPLAY: Atonement, Away from Her, The Diving Bell & the Butterfly, No Country for Old Men and There Will Be Blood. Who/What Will Win?: The Coens’ No Country screenplay.
BEST ART DIRECTION: American Gangster, Atonement, The Golden Compass, Sweeney Todd and There Will Be Blood. Who/What Will Win?: Sweeney Todd as a makeup for getting Best Picture snubbed.
BEST CINEMATOGRAPHY: The Assassination of Jesse James by the Coward Robert Ford, Atonement, The Diving Bell & the Butterfly, No Country for Old Men, There Will Be Blood. Who/What Will Win?: Roger Deakins for Jesse James.
BEST DOCUMENTARY FILM: No End in Sight, Operation Homecoming, Sicko, Taxi to the Dark Side, War/Dance. Who/What Will Win?: No End in Sight.
BEST SOUND MIXING: The Bourne Ultimatum, No Country for Old Men, Ratatouille, 3:10 to Yuma and Transformers. Who/What Will Win?: Dunno…No Country? Which had excellent sound. (Remember how you can hear Javier Bardem unscrewing of the light bulb in the second-floor hallway of the small Texas hotel.) But please, please, please not Transformers!
BEST SOUND EDITING: The Bourne Ultimatum, No Country for Old Men, Ratatouille, There Will Be Blood
and Transformers. Who/What Will Win?: No clue at all. Anyone?
BEST FILM EDITING: The Bourne Ultimatum, The Diving Bell & the Butterfly, Into the Wild, No Country for Old Men and There Will Be Blood. Who/What Will Win?: I would say Bourne Ultimatum, but I haven’t a clue.
BEST ORIGINAL SCORE: Atonement, The Kite Runner, Michael Clayton, Ratatouille and 3:10 to Yuma.
BEST ORIGINAL SONG: “Falling Slowly,” Once; “Happy Working Song,” Enchanted; “Raise It Up,” August Rush; “So Close,” Enchanted; “That’s How You Know,” Enchanted. Who/What Will Win?: It has to be Glenn Hansard and Marketa Irglova for Once…right?
I’m too fevered and fatigued to type out the last four categories today. I’ll get to it tomorrow or whatever. I’ve got a bad-ass virus and intending to lay low today.

Scattered Oscar nom reactios

Just for the record, this morning’s Academy nominations plus predictions and scattered reactions:
BEST PICTURE: Atonement, Juno, Michael Clayton, No Country for Old Men and There Will Be Blood. (Juno doesn’t belong with the other four — in a better world, being “really likable” and making lots of money wouldn’t translate into a Best Picture nom, especially with masterpieces like Zodiac and The Assassination of Jesse James by the Coward Robert Ford being cold-shouldered, and with a much more affecting spiritual delight like Once also getting the shaft.) What Will Win?: No Country for Old Men….I think.
BEST DIRECTOR: Paul Thomas Anderson, There Will Be Blood; Joel & Ethan Coen, No Country for Old Men; Tony Gilroy, Michael Clayton; Jason Reitman, Juno; and Julian Schnabel, The Diving Bell & the Butterfly. (Schabel’s is an attaboy/gmme nomination — meaningless without a Butterfly Best Picture nom.) Who Will Win?: the Coen boys.
BEST ACTOR: George Clooney, Michael Clayton (still don’t get this…a very strong and lived-in performance and Clooney’s second best perf ever after Syriana, but it doesn’t meet my criteria for “award-quality” — how about a nomination for Sturdiest Lead Male performance?); Daniel “I drink your milkshake” Day-Lewis, There Will Be Blood; Johnny Depp, Sweeney Todd; Tommy Lee Jones, In the Valley of Elah; Viggo Mortensen, Eastern Promises. (“I yam Rauhssian and good with a knife, and if you attack me in a steam bath I will fight you in a way that will get the attention of certain female journalists.”) Who Will Win?: Lewis.
BEST ACTRESS: Cate Blanchett, Elizabeth: The Golden Age (what?…welcome to the clueless blue-hair vote…aesthetically-challenged empties who are enormously impressed by histrionics and costumes); Julie Christie, Away from Her; Marion Cotillard, La Vie En Rose; Laura Linney, The Savages (well deserved); Ellen Page, Juno. Who Will Win?: Between Christie and Cotillard. HE has stood by Cotillard all the way. She should win unless the oldies get together and decided to give Christie, who is superb in Away From Her, an admiration-plus-nostalgia vote.
BEST SUPPORTING ACTOR: Casey Affleck, The Assassination of Jesse James by the Coward Robert Ford; Javier Bardem, No Country for Old Men; Philip Seymour Hoffman, Charlie Wilson’s War (Toby Kebbell, the guy who played the same kind of smart-ass character in Control, was better); Hal Holbrook, Into the Wild; Tom Wilkinson, Michael Clayton. Who Will Win?: Bardem.
BEST SUPPORTING ACTRESS: Cate Blanchett, I’m Not There; Ruby Dee, American Gangster; Saoirse Ronan, Atonement; Amy Ryan, Gone Baby Gone; Tilda Swinton, Michael Clayton (well deserved). Who Will Win?: It’s between Blanchett and Ryan.
More to come in a few….

“Atonement” makes the cut

With a Best Picture nomination under its belt, I guess it’s not appropriate to use “poor” as an Atonement adjective any more. The fact that Joe Wright didn’t get a Best Director nomination means the Academy voters liked it mainly for “soft” reasons — Brideshead Revisited vibe, moving love story, period sets and costumes. But Atonement nonetheless received three prestige-level nominations — Best Picture, Best Supporting Actress (Saoirse Ronan) and Best Adapted Screenplay.
The four “soft” Atonement nominations are for Best Art Direction, Best Cinematography, Best Score and Best Costume Design.
As noted elsewhere, No Country for Old Men and There Will Be Blood got eight nominations each — cheers and a clink of glasses for Miramax (which landed 21 nominations in total) and Paramount Vantage.
Michael Clayton earned six nominations, including Best Picture, Best Director (Tony Gilroy), Best Actor (George Clooney), Best Supporting Actor (Tom Wilkinson) and Best Supporting Actress (Tilda Swinton). Ratatouille, The Diving Bell & the Butterfly and Juno were handed four nominations each. The Bourne Ultimatum, Enchanted, Sweeney Todd and Transformers got three each.

Two Noteworthy Best Actor noms

Sundance rigors have made me sick — bod feels enervated, head feels virusy — but in my limited capacity I’m seeing at least one surprise among the just-announced Oscar nominees: Tommy Lee Jones being nommed as Best Actor for his performance in In The Valley of Elah. I called it for Jones in the Oscar Balloon all along, but I’m not aware of many other Oscar handicappers who did the same. This seems to me like a back-pat for the movie, for director-writer Paul Haggis…and a little bit of a slapdown for all the Elah dissers.
And you’d have to call Johnny Depp‘s getting a Best Actor nomination for Sweeney Todd a surprise also. Depp’s biggest supporter, The Envelope‘s Tom O’Neil, looked at the indicators and wrote his chances off not too long ago. In a similar semi-passionate way, the Depp nomination is about Academy members giving a half-assed back-pat for Sweeney Todd, which they didn’t like (much less love) enough to give a Best Picture nomination to.