I’ve been hearing good things about Martin McDonaugh‘s Three Billboards Outside Ebbing, Missouri (Fox Searchlight, 11.10) since a West Los Angeles research screening 11 months ago. I’ll finally be seeing it tomorrow morning at 11 am at the Scotiabank plex. Today’s rundown: Film Stars Don’t Die in Liverpool at 2:15 pm, followed by The Mountain Between Us at 4:45 pm, and then some filing. Then a Sony Classics sit-down dinner at 7:30 pm, followed by a 9:30 pm screening of The Current War at the Princess of Wales.
I’m a lifelong sucker for grilled cheese sandwiches, but they have to be slim and tidy. A thin slice of mozzarrella and cheese on buttered toasted rye…yes! So it doesn’t make sense that I would order a sloppy, overstuffed grilled cheese sandwich with all kinds of sauce and chopped tomato and melted gag-all spilling all over the place when you bite into it, but that’s what happened yesterday when I popped into the Meltwich on Richmond.
A woman sitting nearby was staring at me as I struggled with all the gooey crap spilling out of the sandwich as I took my first couple of bites. I could tell from her expression that she despised my lack of couth and table manners. “Hey, lady…you try eating one of these damn things and see how well you do…you can’t, trust me, without looking like some kind of greasy drooling pig.”
I will never again order an overstuffed grilled cheese sandwich. Yo, Meltwich? We’re done. Why would you make sandwiches that bring disrepute upon your customers? That compromise their dignity in front of strangers? Do you think it’s cool or sexy to have gooey globs of cheese and chopped tomatoes and whatnot falling onto your paper plate and your shirtfront and even the floor? I don’t want to even think about your grotesque concoctions from this point on.

Craig Gillespie‘s I, Tonya, a drama about the notorious figure-skating sociopath Tonya Harding (played by Margot Robbie), was press-screened this morning at 8:45 am. A friend reports as follows: “A fairly straightforward re-dramatization of the Tonya Harding/Nancy Kerrigan figure-skating fiasco. It portrays Harding as typical white trash surrounded by more white trash. Doesn’t necessarily paint her as crooked or mean — just naive, indifferent and completely aloof about the whole situation. Robbie’s performance great, Gillespie’s direction solid but [this is nonetheless] conventional filmmaking.”


Three weeks ago I was invited to see Matt Tyrnauer‘s Scotty and the Secret History of Hollywood, a 98-minute doc about Scotty Bowers, the amiable, formerly unsung go-between who wrote about servicing Hollywood’s gay and bisexual community during the ’40s, ’50s and beyond in a five-year-old memoir called “Full Service: My Adventures in Hollywood and the Secret Sex Lives of the Stars.”
Tyrnauer’s film will screen tonight at the Toronto Film Festival, which means I can finally…hold on…the embargo notice says I can’t review it until 11:59 pm this evening. Okay, so I won’t. But I will share what I came to believe during the watching of it, which is that Bowers, whose tell-all book has been challenged and mocked and who’s been described here and there as an unreliable bullshitter, isn’t lying about anything.


For most of Tyrnauer’s surprisingly intimate, low-key, non-gossipy film is about old Scotty — a 90something, white-haired pack rat who owns two or three homes in the Hollywood hills and lives with a good-natured, seen-and-heard-it-all wife who loves him — and only intermittently about the mostly gay and bi movie stars and celebrities (Cary Grant, Spencer Tracy, Walter Pidgeon, Vivien Leigh, Charles Laughton, Vincent Price, Katharine Hepburn, Noël Coward, James Dean) who regarded Scotty as a trusted pimp and pleasure-giver who could and did set them up with same-sex lovers.
After studying Bowers for 98 minutes and listening to him talk about how terrifying things were for gay and bi actors in the intensely homophobic ’40s, ’50s and ’60s, and considering the affection he has for his old gay friends and the strong feelings and immense respect they have for him…after the film is over you’ll probably be convinced, as I was, that Scotty is no bullshitter.
It follows that a high percentage of his recollections about the private sexual lives of movie stars are most likely true. I found this an inescapable conclusion. Just as your gut tells you that Donald Trump is one of the worst bullshitters in the history of western civilization, you can just sense that old Scotty is a straight-shooter. Okay, maybe he’s hazy on a few historical details but the man is 94, for God’s sake. Cut him a little slack.
I have not reviewed Scotty and the Secret History of Hollywood, but I’m telling you that Scotty Bowers is a man of apparent honor. Read this 3.19.12 profile of Bowers by L.A. Weekly‘s Paul Teetor, and then see Tyrnauer’s film, and then read “Full Service” and tell me I’m wrong. I don’t think I am. I really don’t.
I’ve posted four previous pieces about Scott, the book and Tyrnauer’s film — here they are.

“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...