The Dan Bailey-Tucker Carlson confrontation happened two evenings ago (Friday, 7.23) at Dan Bailey’s Outdoor Company in Livingston, Montana. The store’s website has gone to some effort to alert people that the tall, unshaven, hat-wearing guy who confronted Carlson has no affiliation with the store, even though his name, coincidentally, is Dan Bailey.
Leos Carax‘s Annette, which premiered almost three weeks ago (7.6) at the Cannes Film Festival, will be given a limited theatrical release in the U.S. on 8.6.21, followed by a digital streaming debut on Amazon Prime Video on 8.20.21.
I watched Annette last night. It’s an arthouse doozy that leaves you stunned and astonished, lemme tell ya. There’s plenty of time to write a proper review, but I tapped out a short riff this morning and shared it with two or three friends.
“Only the most perverse, anti-populist critics will even flirt with being kind to, much less praising, Annette when it opens stateside,” I wrote. “Once you get past the strikingly surreal visual style and the fact that it was, like, made at all, there is only the self-loathing rage of Adam Driver’s Henry McHenry character, a stand-up comedian, and Carax’s seething disdain for easily led-along audiences.
“Annette is ‘brave’ and wildly out there, but this is arguably the most morally repellent musical ever made in motion picture history. Driver’s Henry, an envelope-pushing comedian who performs one-man shows that aren’t in the least bit amusing, is astounding — one of the most flagrantly revolting protagonists I’ve ever spent time with in my moviegoing life.
“Remember the rickety, old fashioned idea of a lead character having some sort of relatable qualities that an audience might bond with? Even Al Pacino‘s Michael Corleone had relatables in The Godfather, Part II, and he was an ice man. Driver is playing a kind of sociopathic Jack the Ripper figure. The movie is mostly about him and barely pays attention to Marion Cotillard‘s Ann, an opera singer who marries Henry (and vice versa), and gives birth to their daughter.”
“Annette is a misanthropic rock opera about rabid egotism, demonic personality disorder, black soul syndrome, rage, alcoholism, murder, self-loathing, self-destruction.”
Critic who strongly disagrees: “For daring, imagination, energy, it’s the film of the year so far. Fuck populism.”
It's been obvious to anyone with eyes, ears and half a brain that Jaume Collet-Serra's Jungle Cruise (Disney, 7.30) is both an homage and an insult to the lore of John Huston's The African Queen ('51).
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“Republicans have indulged their crazies for far too long…”
The other day HE commenter Bill McCuddy said he wants Patreon paywall posts to make him hard and wet. For $5 a month McCuddy wants thrills, backrubs, shocks, surprises, accelerations, sugar highs. He wants these posts to be the equivalent of visiting a water park in mid July or riding a pogo stick in the West Village or getting a Las Vegas strip club lap dance...okay, forget the lap dance as Bill is happily married. But certainly the HE equivalent of eating the most delicious greaseburger ever prepared in human history...a sizzling hot McCuddy burger, medium rare, covered in sautéed red onions, gently smeared with a dab of Russian dressing, red leaf lettuce, warm sesame seed bun...mouth watering, lip-smacking, blackened by flame!
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Yesterday Paul Schrader wrote about admiring a waitress with “radiant” cafe au lait skin, and so he said “you have beautiful skin.” Paul’s wife and son were with him, and Paul’s not exactly a young buck on the prowl so he figured “I’m harmless so where’s the harm in sharing a discreet compliment?”
I’ll tell him where the harm is. The harm is in the fact that he’s an older white guy, and a decent percentage of urban progressive women (teens to mid 30s and perhaps beyond) would just as soon explode his life into smithereens as look at him. I’m not kidding. Guys like Paul Schrader are deer, and it’s deer hunting season everywhere right now, and if the Schraders of the world want to be dead all they have to do is give the “hunters” a reason to get out their high-powered social media rifles and fire at them.
There are only two options in your potential dealings with younger attractive women in any professional environment (including restaurants or bars), and that’s to (a) treat them with the utmost politeness and respect, and (b) think of them as overweight male Armenian garbage collectors who haven’t bathed in a couple of days.
Get this into your stupid thick head and keep it there: There are no attractive women out there — they don’t exist — and if you ignore this rule there’s a good chance you’ll be bruised, wounded or killed sooner or later. For if you convey the slightest appreciation of some aspect of their physical allure you are asking for trouble, and I mean potentially big trouble.
Tatiana says that complimenting a woman on her skin is too intimate if you’ve only just met her. Saying she has lovely skin isn’t quite like saying she has a great ass or nice breasts, but it’s in that vicinity. You can compliment a waitress on what she’s wearing — ring, bracelet, necklace, perfume — but no comments about her physicality. You can compliment a female relative or the wife of a friend on having nice skin, but not a waitress.
There’s only one safe way to tell a waitress that you approve of her, and that’s to leave her a large tip. Any other expression of approval will leave you open for Twitter assassination, Facebook sniping, TikTok takedowns, lawsuits, screaming fights in the parking lot and whatnot. Just shut up and order the food and that’s all. Remember — she’s an Armenian garbage collector, she’s wearing stained work overalls and lace-up work boots, and she weighs 285 pounds. Oh, wait…sorry!


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Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...