“I just have this really weird feeling that something bad is gonna happen…”
McCuddy: “The big climactic bullet tango on the yacht does two things. It satisfies our curiosity especially after Tanya (Jennifer Coolidge) asks the blood-soaked Quentin (Tom Hallander) if her husband was cheating and he says nothing PLUS it tells us something about next season. My 22 year old daughter thinks next season should be an African safari, which would be cool.”
The snow flurry deluge earlier today was wonderful, but the weather wasn't quite cold enough and so the snowflakes hit the windshield and melted, and the iPhone auto focus locked in on the water drops and the shot was more or less ruined.
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The Los Angeles Film Critics Association (aka eccentric foodie Venusians who occasionally get it right and sometimes wildly wrong) split their Best Picture award this afternoon — Tar (fine) and Everything Everywhere All at Once (absolutely not). These people are from the Planet Neptune, and now that they’ve gone gender neutral, forget it. They’re not of this earth. Nobody cares about what they think or who they like. Okay, the talent does.
LAFCA’s Best Director trophy went to Tar‘s Todd Field….great. He also took the Best Screenplay award. The leading performance awards went to Tar‘s Cate Blanchett (emphatic agreement) and Living‘s BillNighy (a good performance). One of the Supporting Performance awards should have goe to TheBansheesofInisherin’s KerryCondon, but it didn’t. The winners in this category were Dolly De Leon of Triangle of Sadness (disagree) and Ke Huy Quan of Everything Everywhere All at Once (ditto).
Due respect but if you’re curious about the rest of the awards, here’s a link. Nobody really cares. LAFCA is its own realm, its own little dingle-dangle. I say screw ’em…they’ve gender-neutraled their way into oblivion.
Carol Theresa East (aka “Sister Carol” is still with us. A Jamaican-born American reggae recording artist and actress, she’s also gone by Black Cinderella and Mother Culture. Born on 1.15.59, Carol was 26 when she appeared in Jonathan Demme‘s Something Wild (’86).
Last night I re-watched about half of Joshua Logan and William Inge's Picnic ('55). Right up to the moment of Bill Holden and Kim Novak's sexy lakeside dance.
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Where would Brittney Griner be right now if the press hadn’t steadily focused on her situation from the moment of her arrest and imprisonment last February? Which in turn made the Biden administration pay more attention and make her a prisoner swap priority, etc. If the press had ignored or under-reported her situation all along there’s a decent chance she’d still in the clink, right?
If I were in Griner’s size 17 shoes I’d be saying the following to myself: “Damn, all I want to do is hug and kiss my wife and live my normal life again. I just want to relax and be the person I was before the hash-oil arrest. I want to work out and dribble a basketball and eat my favorite foods…shit like that. But I’m a big international story right now, and for all I know I might still be in jail if the press hadn’t made me into an international focus of attention. And so I need to thank the press and give them interviews and sit for a press conference and so on. I have to play the game because it’s my duty, in a way. History is calling and I need to pick up the phone. I’m like an astronaut who’s just come back from the moon. I need to face the cameras and the questions — it’s the decent thing to do.”
Since arriving in San Antonio two mornings ago Griner has been out of sight, maintaining her privacy, sleeping, etc. If it was me I’d have done the press conference Friday afternoon or at the very latest Saturday morning. She’d do well to “open up” on Monday morning…just sayin’.