No Way, Sneider!

I’m okay with Los Angeles magazine’s Jeff Sneider calling Bros the third best ’22 flick of the year (it was #29 on my own list). But he’s not allowed to put My Policeman in second place, or right after his #1 pick, Top Gun: Maverick. He can’t do that! My Policeman occasionally really blows, and yes, I’m aware of the redundancy.

[Posted on 10.29.22] “My Policeman (Amazon Prime, 11.4) is a tepid and morose gay tragedy, set in late 1950s England. And Harry Styles‘ rote performance as Tom Burgess, a sexually repressed gay policeman, is not a burnisher. Ditto David Dawson‘s as Patrick Hazlewood, a museum curator who becomes Tom’s lover and a rival for his affections in the matter of Emma Corrin‘s prim and proper Marion, who Tom marries because he needs a beard, which is a shitty thing to do.

“But Marion evens the score down the road. Shittily, I mean.

“Give Styles credit for bravely and energetically committing to some fairly graphic sex scenes with Hazlewood (kiss-slurping, panting, blowing, ass-fucking) but as I said in an earlier post, Styles is hot but Hazlewood isn’t, or at least not hot enough for me.

“There are some pretty guys whom straight guys can at least imagine having some kind of vague intimate contact with. Mick Jagger in Performance was one. In True Romance Christian Slater‘s Clarence Worley says that he could’ve fucked the young Elvis Presley. But one look at Hazlewood and I went “nope.” Cold eyes, dorky haircut, emotionally needy and greedy.

“I had a good laugh, however, when Dawson/Hazlewood hooks up with some anonymous guy and they decide to get down in an alleyway. They’re busted by a pair of bobbies before anything happens, but just before Dawson is about to drop to his knees the recipient drops a magazine on the damp pavement so Dawson won’t chafe his knees and his trousers won’t get wet. Thoughtful.

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Similar Hair, Mouth, Nose

Obviously Ronan Farrow owns his own history, biology and style choices, but my very first thought upon seeing this vacation photo (seemingly taken on the beach in Baja California) is that he looks a lot like Tatiana. Tell me I’m wrong.

Tatiana agrees: “Haha, yes, there is something :-))”

Just Another Fan In The 22nd Row

I would never dispute that Andrew Dominik‘s Blonde isn’t a serious art film. It’s intensely dislikable but completely, paradoxically respectable. It can be accused of exaggerating the dark aspects in Norman Jean Baker‘s life, as Joyce Carol Oates’ 22 year-old source novel did, as well as inventing some out of whole cloth. But it was all of a piece — a pitch-black downer.

Will I ever watch Blonde again? I can say with absolute assurance that I will not. But I will gladly watch this clip of Marilyn Monroe‘s visit to The Jack Benny Show in September 1953. It sells the bullshit, of course, but she’s a total pleasure to watch and listen to. She wasn’t inwardly happy, of course, but she convinced the public otherwise. Look at her expression when the audience is loving her and laughing at the humor, etc. She was happy in a certain sense!

HE to Blonde spoiler whiners: This post discusses the August 1962 death of Marilyn Monroe, which is what Andrew Dominik‘s Blonde (Netflix streaming, 9.28.22) ends with.

HE to friendo #1: “Yesterday I slogged my way through Andrew Dominik‘s Blonde, which I regard as artful torture porn. And then I happened upon a Matt Lynch tweet that analogized Blonde and a landmark 1988 film, and the instant I read it I said ‘yes!'”

“I’m thinking not just of the incessant dismissals and degradations and spiritual uncertainties, but the anguished and agonized relationship between the main protagonist and the elusive ‘father.’

“Just as Willem Dafoe sips a goblet of sacramental wine before submitting to his final fate, Norma Jean swallows alcohol and barbiturates before her final episode of passion at her Fifth Helena Drive abode (the delivery man, the fuzzy tiger, the shattering note). And like Dafoe’s Jesus, a spectral Marilyn smiles and separates from death, and greets the immortality that she still enjoys today a la Andrew Dominik.”

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The Weapon Is Indictments

2023 is underway and rolling along, Donald Trump has been out of office for nearly two years, and there’s really no reason to delay or pussyfoot around any more. He has to be flattened like a pancake…like a raccoon run over by an 18-wheeler. Charges need to be filed no later than 3.21.23. Sooner would be better.

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Three Days Later

Has anything changed as far as the Best Picture Oscar death of Everything Everywhere All At Once is concerned? Since last Friday morning, I mean? Unless I’m missing something, I don’t think so. THR‘s Scott Feinberg killed its chances last Thursday (12.29) when he listed Top Gun: Maverick as the #1 likeliest winner. That was it, end of story, guillotine drop.

The following morning we hashed it all out. Awards Daily‘s Sasha Stone and myself, I mean. Here it is, all 43 minutes worth.

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Sleeping Mummy

I have an idea for a special photo-driven app or website. For a fair fee I will use your photos to create a funeral home lying-in-state photo. I will dress you in a black suit-and-tie or Pope’s robes. Think about it — nobody ever contemplates their after-death appearance (i.e., how they’ll look when their friends come to pay their respects). Now they can!