Sam Smith, 30, is the king of the world…a perfect person wearing nipple tassels. The only problem is that he’s put on too much weight. I liked him more when he was slender and dark-haired.
Robert Altman‘s The Long Goodbye (’74), 4:03:
Marty Augustine (Mark Rydell): And I understand you…you’re nervous.
Phillip Marlowe (Elliott Gould): I’m not nervous.
Augustine: Yes, you are. You’re nervous like I am. When I was a kid in high school [and] I used to dread gym class. Absolutely dread it.
Marlowe: Why was that?
Augustine: Because I didn’t have any pubic hair until I was 15 years old.
Marlowe: Oh, yeah? You musta looked like one of three little pigs.
Kim Morgan, Elliott Gould outside the New Bev — Monday, 1.30.23.
Aaron Sorkin‘s “reimagined” production of Camelot begins previews begin on 3.9.23. The official opening happens on Thursday, 4.13.23. Andrew Burnap as Arthur, Phillipa Soo as Guinevere and Jordan Donica as Lancelot. Not quite on the level of Richard Burton, Julie Andrews and Robert Goulet, are they?
The question is “why?” — why would Sorkin want to fiddle around with a 63-year-old Lerner & Loewe musical that came to be known as a metaphor for the JFK years? What’s the point?
Comment thread excerpt from this morning’s (2.1) “Brokeback Zombies” piece:
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
More »Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
More »Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
More »Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
More »A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
More »I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
More »