Bad Episode With Rolling Stone (Wenner, Travers)

In early 2003 (or was it late ’02?) I pitched a big Matrix story to Rolling Stone‘s Peter Travers. With The Matrix Reloaded due to open on 5.15.03, I had gotten hold of a copy of the Wachowskis’ script and was looking to scoop the world with a few plot points (including the hair-raising freeway chase sequence) but without spoiling the whole thing. (Naturally.) I’d also picked up some odd domestic details about The Wachowskis, who were then called Larry and Andy and known for being extra-reclusive.

Travers was interested in running a scoop of this kind. We sat down and talked it over at a Manhattan eatery. I didn’t know for a fact that Travers had briefed Rolling Stone publisher Jann Wenner, but it would have been odd if he hadn’t.

The Reloaded script had been passed to me by former Silver Pictures executive Dan Cracchiolo, who had worked for the company’s founder, Joel Silver, between the mid ’90s and early aughts. Dan had struck out on his own a year or so earlier, although I suspected that things may have soured between Silver and himself over possible drug issues — Dan’s, I mean.

I had been especially chummy with Silver between mid ’92 and early ’94, but then relations chilled. (The reasons are too complex to recite here.) The occasionally tempestuous Silver was the real-life model for Saul Rubinek‘s “Lee Donowitz” character in True Romance. (It’s also been said he was at least a partial model for Tom Cruise‘s “Les Grossman” in Tropic Thunder.)

In any event I met with Travers to discuss the shape and tone of the Reloaded article — a few Wachowski morsels, a few plot leaks but not too many, etc. I tapped it out and sent it along. The article definitely worked on its own terms but of course it had to be fact-checked and whatnot. Which meant calling Silver, of course. It was my understanding that Silver hit the roof and called Wenner to yell and scream.

The next thing I knew the piece had been killed. When I called and wrote Travers to ask what happened he wouldn’t respond…silencio. I presumed it had been killed by Wenner. I can’t recall if I was paid a kill fee. I only know that the Rolling Stone vibes were pretty good before I turned the piece in, but after it was killed I was Nowhere Man.

So I sold the article to Empire magazine, and it wound up running right around the time of the May opening of The Matrix Reloaded. Nobody liked the film that much, and everyone hated The Matrix Revolutions.

Dan died in a motorcycle accident the following year.

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14 Years, Man…

If the 66 or 67 year-old Joe Biden was in the White House today and preparing to run again next year, no one would be talking about age impairment at all.

Watch him in this 60 Minutes / Leslie Stahl profile, which ran sometime in the spring of ’09. Biden was pretty much at full strength back then, or 14 years ago…alert, mentally agile, vigorous, quick with a response. Obviously an older guy but nowhere close to today’s doddering version. Voters don’t want a shuffling slowpoke President who’s unable to speak a sentence without slurring or stumbling or muttering. There’s a huge difference between 2009 Joe and the 2023 version…this is what people don’t like.

Scores Greater Than The Films They Were Composed For

I’ve just written that I felt much more rapport with Russell Crowe‘s John Nash in A Beautiful Mind (’01) than Cillian Murphy‘s J. Robert Oppenheimer in Chris Nolan‘s sure-to-be-Oscar-nominated 2023 film.

This isn’t to argue that A Beautiful Mind is a better film that Oppenheimer — it isn’t in most respects. But I felt so completely swept up in James Horner‘s Oscar-nominated score, and particularly by the opening passage (“A Kaleidoscope of Mathematics“), that I couldn’t help myself…I felt melted down from the get-go. It still gets me emotionally.

What I’m saying in effect is that Horner’s music is better than Ron Howard’s film. There have been many scores that have qualified as such — mood symphonies that succeed on their own terms better than the films.

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