For our latest podcast, Jeff and Sasha discuss what the Best Picture horse race of 2024 might look like. It’s a long one but what the hell.
Sasha has been on an Oppenheimer research kick so that commanded much of the time, but we also flitted around with Killers of the Flower Moon, The Killer, Barbie, Maestro, The Holdovers, The Pot au Feu, Napoleon, Ferarri, The Zone of Interest, Past Lives, The Color Purple.
We recorded too early to discuss the outrageous French Connection censorship matter — that’ll be for next time. We also re-explained why Best Picture-wise, identity is pretty much all that matters today. There’s no accounting for taste among the low-rent, under-45 SAG-AFTRA crowd.
Again, the link.
