…and wondering if there’s any consensus of opinion among HE regulars? It’s been streaming for two or three weeks.
Variety‘s Tatiana Siegel is reporting thqt Ashlee Margolis, founder of the Beverly Hills firm The A List, recently wrote “an email to her staff about a new mandate to hit ‘pause on working with any celebrity or influencer or tastemaker posting against Israel.”
I’m just kinda wondering who else has been paused or kibboshed over the years for thie or that political or industry-sensitive offense. It happens — I know that much.
Here’s an HE rundown of the 15 best films I’ve seen this year, including some of my Cannes favorites (all unreleased) as well as Steven Zallian‘s Ripley, the knockout Netflix miniseries.
These are the films that I felt truly impressed by, that I liked the most or have thought about hard since seeing them…HE’s creme de la creme.
I’ve listed them in order of preference, and so that makes Sean Baker‘s Anora my #1 favorite, closely followed by Payal Kapadia‘s All We Imagine as Light, Alice Rohrwacher‘s La Chimera, Ripley, Robert Lorenz‘s In the Land of Saints and Sinners and Ali Abassi‘s The Apprentice — these are the top six.
It’s not quite a 2024 half-time (i.e., first six months) list, but we all know that as a rule few June releases qualify as more than passing fancies.
I saw Jeff Nichols‘ The Bikeriders (Focus Features, 6.21) at Telluride last September…bad. Ditto Annie Baker‘e Janet Planet (A24, 6.120)…nope. I haven’t seen Bad Boys 4: Ride or Die but what could that possibly amount to? I saw Yorgos Lanthimos‘s Kinds of Kindness (Searchlight, 6.28) in Cannes…not my cup, and likely to be hated by many if not most ticket-buyers. And I still haven’t seen Christy Hall‘e Daddio (Sony Pictures Classics, 6.28).
Finest 2024 Films (15) in this order…I’ll paste in my review links later today or tonight:
1. Sean Baker‘s Anora (Neon, 10.18)
2. Payal Kapadia‘s All We Imagine as Light
3. Alice Rohrwacher‘s La Chimera
4. Steven Zallian‘s Ripley
5. Robert Lorenz‘s In the Land of Saints and Sinners
6. Ali Abassi‘s The Apprentice
7. Alex Garland‘s Civil War
8. Halfdan Ullmann Tondel‘s Armand.
9. Rose Glass‘s Love Lies Bleeding
10. Jacques Audiard‘s Emilia Perez (very good but calm down)
11. Magnus von Horn’s’s The Girl With the Needle
12. Denis Villeneuve‘s Dune: Part Two
13. Jean-Stéphane Sauvaire‘s Asphalt City (formerly Black Flies)
14. Luca Guadagnino‘s Challengers
15. Wes Ball‘s Kingdom of the Planet of the Apes
I liked Coralie Fergeat‘s The Substance, but not enough to place it among my top 15. Same deal with Tony Goldwyn‘s Ezra.
I still haven’t seen Vera Drew‘s The People’s Joker, the Zellner Bros.’ Sasquatch Sunset or Jane Schoenbrun‘s I Saw the TV Glow.
In other words, four years of authoritarian fascist suppression may be a short-term problem, but have faith, guys! Democracy may go on hiatus for a while, but Trump will die someday.
HE to Hanks: Nice squishy sidestepping, Tom!
My aching left leg joint no longer aches. Cordless Robocop massage pistol arrived a day ago. It makes me feel like a gunslinger. I decided against ordering an optional black leather holster…kidding.
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