The only thing I really like about John Stahl‘s Leave Her To Heaven (’45) is Leon Shamroy‘s color cinematograohy and Lionel Newman‘s musical score. Otherwise not so much. Gene Tierney‘s pyschotic femme fatale is confounding and affected.
Just to make things “fair” in the same way that Imane’S fight against Italian boxer Angela Carini was “fair.” Just for the fun of it, I mean.
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Really Nice RideTo my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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Live-Blogging “Bad Boys: Ride or Die”7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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One of the Better Apes Franchise FlicksIt took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
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- The Pull of Exceptional History
The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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If I Was Costner, I’d Probably Throw In The TowelUnless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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Delicious, Demonic Otto GrossFor me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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