Brooklyn Standoff

[Posted on 9.19.11] Last night Jett, his roommate Sonya and I caught a 7:50 pm screening of Drive at Brooklyn’s UA Court Street Stadium plex. My second viewing. Great film.

I hit the smallish bathroom after it ended. Two urinals and a toilet stall with six or seven guys lined up. I should have bailed right then and there, but I was looking for a little sit-down action and wasn’t sure of my alternate options.

A guy left the stall and a 30something black dude took ownership and, like, didn’t come out. Three, four minutes. Five minutes. Six. Could he be undergoing self-administered surgery? Filling out a mortgage application?

Then, still on the pot, he began talking to his girlfriend on his cell, flirting with her, settling in. “How ya doin’? Movie’s over…yeah. You wanna eat somethin’?,” etc.

If I had any balls I would have knocked on the stall door and, just like Tom Cruise in Collateral, said, “Yo, homey!” I didn’t, of course. I just stood and waited like a sap, listening to this jerkoff go on and on. The idea of showing consideration to others simply hadn’t occurred to him.

Around the seven- or eight-minute mark I gave up and went outside and used the facilities at a nearby Barnes and Noble.

It’s simply a matter of culture and manners. Let’s face it — some people are low-lifes.

I’ll be attending an invitational screening of George Clooney‘s The Ides of March at the Museum of Modern Art on Wednesday. If I happen to hit the bathroom after it ends I can absolutely guarantee that nobody will sit in a toilet stall for several minutes, ignoring the fact that several others are waiting, while chit-chatting with a girl. I’ll put $100 on this right now. I’ll bet anything.

Supporting Actress Redgrave Technically Played Titular Role in Zinnemann’s “Julia”

And yet Vanessa Redgrave didn’t play the lead role or main protagonist — Jane Fonda (as playwright Lillian Hellman) fulfilled that task, and was Oscar-nominated for Best Actress. Fonda wound up winning a BAFTA and a Golden Globe, but not an Oscar.

For her titular performance as Julia, an anti-Nazi activist (and later martyr) who was Hellman’s close friend and who experiences traumatic surgery at the hands of the Nazis, Vanessa Redgrave was campaigned by 20th Century Fox for Best Supporting Actress, and she won.

By the same token, Zoe Saldana plays the lead role in Jacques Audiard‘s Emilia Perez — a frustrated Mexico City attorney, Rita Moro Castro, who’s persuaded to assist a Mexican cartel leader, Juan “Manitas” Del Monte, as he undergoes sex reassignment surgery, partly to evade the authorities and partly to become “Emilia Perez”.

Real-life trans person Karla Sofia Gascon plays the cartel leader and Perez, but it’s not a lead role — it’s a strong supporting thing as she’s clearly not the main protagonist plus Gascon doesn’t have a huge amount of face time in Audiard’s film, certainly not compared to Saldana.

The identity fanatics (i.e., the same folks who insisted that Killers or the Flower Moon‘s Lily Gladstone was a deserving recipient of a Best Actress Oscar) will be playing the same tune on behalf of Gascon.

She won’t win, of course, but Netflix will get to run a big identity campaign on behalf of Gascon ane the trans community, and that’s what they mostly care about.

Not To Mention The Powerhouse Debut of “The Sopranos”

Which of HE’s top 21 films released in 1999 have I re-watched more than a couple of times? Just four — Election, The Limey, The Insider and Malkovich. I re-watched Lola in an AMC plex a couple of months ago…loved it. I’ve actually re-watched American Beauty three times, come to think. I’ve re-watched Al Pacino’s “ inches” speech from Any Given Sunday 17 or 18 times.