Raggedy Impressions of Guadagnino’s Wiggy, Far-Out “Queer”

HE to Luca Guadagnino: Wow…what a fascinating psychedelic space-out…a dig-down dreamscape thing…the sexuality is there, obviously, but subordinate to the spiritual current, the exotic atmosphere, Daniel Craig and Drew Starkey’s truly fascinating performances, the nimble editing, the South American jungle yage ** scenes….

The trippy mystical vibe kinda sneaks up on you…it’s one of the most fascinating, out-there films about vulnerability, transformative intimacy and emotionality that I’ve ever seen…amazing!

Seriously…hats off to you and yours.  I was blown away.

Queer is a truly fascinating mood piece and space-out…a film has never taken me to a realm like this…an amazing reach, amazing combustion…and when the William Tell moment happens at the end…God!! It explores and delivers so much more than I expected.

Queer is much more transformative than Call Me By Your Name…it may be your best film ever, or it may be your most out-there or whatever…I’m not sure how to label it but Craig’s performance is staggering…purely a matter of heart and spirit and twitchy emotion…all I know is that he’s uncovered something fresh and alive…really something else.

The Venice Film Festival reviews kind of missed the boat, I think. I mean, Queer is about so much more than just “Lee” and his sexuality and the atmosphere of early ‘50s Mexico City…I truly adored the cinematography, editing, musical choices, the miniature models, the Cinecitta sound stage recreations of Mexico City.

I didn’t even recognize Leslie Manville, who’s really out-there as the jungle medicine woman. And dear effing God, what has happened to poor Jason Schwartzman?…he’s gained at least 50 or 60 pounds!!..what’s happened to Max Fischer? (Wait…I’m told he’s wearing a fat suit.)

I really didn’t see this coming. Talk about your October surprise. Queer is a wake-up thing. It delivers a feeling of inwardness, extra-ness.

** pronounced “yah-hay”

“Homosexual Panic”

Don’t laugh —- in a 46-year-old review of The Deer Hunter the legendary Andrew Sarris used theabove term, and he wasn’t called a homophobe for doing so. All I know is that it won’t just be Daniel Craig “going homo” inside Avery Fisher Hall this afternoon — HE will be submitting as well.

Not since Taxi Zum Klo (‘81)…

I’ll also be catching Payal Kapadia’s All We Imagine As Light sometime around 6 pm.

 

Harris Might Actually Let Her Hair Down

Or at least is seemingly open to Howard Stern guiding her into a hair-down mode during their Tuesday afternoon (10.8, 1 pm) encounter.

This would represent a departure, of course, as Harris and her team have been carefully control-freaking the campaign thus far. Kamala is not Pete Buttigieg — she hasn’t the confidence for improv or thinking on her feet in a free-associative way. But the Stern interview should prove interesting.

“Anora”-wise, Academy Member Perceptions Aren’t What They Could Be

Friendo who attended last night’s Acadeny screening of Sean Baker’s Anora:

“Unmistakably enthusiastic audience response. Particularly for lead actress Mikey Madison. And Mark Eidelstein, [who plays] the young Russian playboy.

“But the house was only about a quarter full. At an official Academy screening. Disappointing for a major Cannes winner.”

HE to friendo: “It’s fairly difficult to go broke by under-estimating the sophistication of Academy members. They’re always slow to respond to edgy, smaller-scaled films.

“I’ve seen it twice and can’t wait until my next viewing. No other 2024 film has gotten me off like Anora. I laughed like a hyena, and I’m generally an LQTM guy. I believe it to be the freshest and most confident, most brilliantly constructed powder-keg dramedy in years. 

“It takes a while to get rolling but after the 55-or 60-minute mark it pays off like a slot machine

“The word of mouth has been rhapsodic since the Cannes debut and you’re telling me the Academy theatre was only one-quarter full last night?  Are Academy members really that slow to wake up?  That slow to smell the coffee?”