In yesterday’s pan of the revolting and deplorable John Wick: Chapter Four, I should have mentioned my grudging respect for an extended, uncut overhead shot of Keanu
Reeves going from room to room and blasting bad guys at every turn with the camera constantly maintaining its God’s-eye viewpoint.

In a 3.25 interview with TheWrap‘s Scott Mendelson, dp Dan Laustsen (totally unpronouncable) explains that the scene utilized a set built on one of the Studio Babelsberg sound stages.

Laustsen: “It’s one crane shot and one spider cam shot where we are starting on the stairs and flying around. We did in eight or ten takes. The light must be outside the set. We see the whole set. That’s the challenge when your shots are wide and the entire set is in view.”