“You Bought My Movie Just To Kill It?”

This, in my view, is Martin Scorsese‘s best short-burst performance since his psychotically jealous husband-slash-voyeur in Taxi Driver (’76). Which we’re not allowed to mention these days because of the ugly racist current.

What happens between Marty and Seth Rogen in The Studio is lightweight and surface-skimmy, of course, but at the same time…well, it has something because it alludes, at least, to betrayal and soullessness.