Is there general agreement with my view that Jonathan Levine‘s 50/50 is an affecting, honestly configured drama ribbed or seasoned with occasional Rogen laughs (which you really need to call “yuks”) but is hardly a comedy, or do some feel that the term “comedy” actually, literally applies? What did the room feel like as it played? How old did the audience seem to be?

October 1, 2011by Jeffrey Wells14 Comments