“In about 15 years, when the studios and exhibitors finally get their acts together and come up with digital delivery systems and digital projectors, it’s my belief that film will be dead… images will never touch emulsion again . And from what I’ve seen, abandoning film will cost us little or nothing in warmth and quality, and gain us so very much more.” — Craig Mazin posting to “The Artful Writer” about the Panavision Genesis HD system, which Scary Movie 4 and Superman Returns were shot with.
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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