A Warner Archive Bluray of Howard Hawks‘ Land of the Pharoahs (’55) pops on 7.18. It features grainy WarnerColor and a 2.55:1 aspect ratio.
In a September ’78 issue of Film Comment Martin Scorsese stated that Pharoahs was one of his guilty pleasures. It’s certainly “big” and colorful — it was partly shot in Egypt — and boasts a lot of great-looking sets and costumes, and Hawks used something close to 10,000 extras.
But the only thing that’s truly great about Pharoahs is Dimitri Tiomkin‘s score.
The musical accompaniments by the Russian-born Tiomkin often had a soaring, grandiose, even bombastic quality, but his scores were so rousing they almost served as characters in and of themselves.
The greatest Tiomkin scores: Duel in the Sun, It’s a Wonderful Life, Red River, The Men, The Big Sky, High Noon (film historian Arthur R. Jarvis, Jr. once claimed that Tiomkin’s music “saved” that Oscar-winning Fred Zinneman film), The High and the Mighty, The Guns of Navarone, Strangers on a Train, I Confess, Dial M for Murder, The Thing from Another World, Giant, Rio Bravo, The Alamo.
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