All hail Steven Zallian’s Ripley…the finest Emmy contender of them all. I’ve never had the slightest interest in watching Shogun, the evening’s biggest winner. I hated Baby Reindeer so much I stopped watching after the first episode. Jodie Foster’s Emmy-winning performance in True Detective: Night Country had a commendable, lived-in, fraying-at-the-seams quality. All hail the failure of Only Murders in the Building to land a single Emmy award…good!
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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