Woody Allen “might not be the right director for Otello or Salome. But in Gianni Schicchi, a brisk farce about an Italian family desperate to circumvent a dead relative’s will, Allen found a playground in which his comic talents could run riot.
“The opera is set in medieval Tuscany, but Allen moved the action up to the 1940s. Santo Loquasto‘s exuberant set looked like a manic fusion of palazzo and tenement, while also evoking the neo-realist look of Italian films from that era.
“Greed, vanity and cunning rule this opera, and Allen [has] found endless clever ways to expose and mock these traits.” — from Robert Everett-Green‘s review of the third act of Puccini’s Il Triccico, now at the Los Angeles Music Center.
