Whoever creates a Bluray of William Friedkin‘s Sorcerer (which for years you weren’t allowed to mention without automatically declaring that Henri-Georges Clouzot‘s The Wages of Fear is a much, much better film) will have to include the Tangerine Dream overture. I heard it the first and only time I saw Sorcerer on a big screen, which was a day or two after it opened on 6.24.77 at the Post Road Cinema in Westport, Connecticut.