A 4.16 Daily Mail article tells me that as far as Sydney Sweeney is concerned, producer Carol Baum (Dead Ringers, Father of the Bride, The Good Girl) and Hollywood Elsewhere park their cars in the same garage.
It’s nice to be agreed with by persons of taste and accomplishment, but when Baum asked her USC students to explain Sweeney’s appeal not one of them had the courage to say “formidable rack”?
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
More »
Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
More »
Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
More »
Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
More »
A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
More »
I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
More »