Jeffrey Wells

I was recently urged by two friends to see Tina Satter’s Reality (HBO, 5.29), an 82-minute transcription drama about the June 2017 interrogation and arrest of Reality Winner, a contractor who bravely leaked classified info about Russian interference in the 2026 Presidential election.

Based solely on FBI transcripts, Reality is about an interaction between Ms. Winner (Sydney Sweeney) and a pair of kindly, soft-spoken FBI agents (Josh Hamilton, Marchant Davis). It’s mildly compelling in the sense that it’s certainly watchable and not boring, but at the the same time I wouldn’t call it earth-shattering. It’s engrossing as far as it goes. The first half-hour is completely banal, but it finally gets going…sort of.

I believed every minute of Reality (naturally) but Sweeney could be playing any 20something woman responding to any interrogation about anything of grave concern. She speaks to the FBI guys in what could be called “limited candid”…truths, half-truths, sidestepping, etc. Sweeney also speaks in a typical half-slurry vocal-fry manner, as many 20something women have been doing for the last 15-plus years. Her performance is perfectly fine but I didn’t believe she was fluent in three languages, as the actual Reality is. She seems too banal so I don’t honestly get the breathless praise.

I emerged from Reality, however, with a profound respect for what Ms. Winner did, which was to funnel classified proof to The Intercept about Russian interference, etc.

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I finally watched WHE’s Maltese Falcon 4K Bluray, which popped on 4.4.23. I’ve seen John Huston’s 1941 adaptation of Dashiell Hammett’s 1930 detective yarn at least a dozen times (probably more), but the new 4K easily rules above all…darker than the Bluray but smooth and fine and wonderfully detailed with the most glorious mineshaft blacks your eyes have ever beheld.

It’s like monochrome dessert, this disc…pure wowser.

In damn near every close-up of Humphrey Bogart’s face you can easily see the glued-down foundational cheesecloth that secures his hairpiece. I really love this stuff — spotting any traces of cheesecloth, make-up, facial base or eyeliner that 1941 audiences never saw.

I also love the unmistakable reflection of studio lights in Bogart’s left eye…four, to be exact. There may be more than four reflected in his right eye; hard to be precise.

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From David Poland’s “What Becomes A Film Writer [in] 2023,” posted on 6.2.23:

HE to Poland: You bypassed Delbert Mann and Paddy Chayefsky’s Marty (‘55)…why? And David Lean’s 1957 Oscar–winner is titled The Bridge on the River Kwai. (Pierre Boulle’s original French–language novel (‘52) was titled “The Bridge Over The River Kwai.”)

A high-profile, middle-aged husband (45) and wife (41) whose issues led to a recent separation (followed by a subsequent rapprochement) are further rocked by the wife’s discovery last March of the husband’s brief affair with a 25-year-old climate activist who bears a strong resemblance to the wife and is certainly the same physical type.

This needn’t be a terrible Shakespearean tragedy. A rupture of trust, obviously, but more of a passing thunderstorm than Krakatoa, East of Java. Younger men (under 50) are dogs and may act upon this if marital discord is an ongoing issue, and especially if the other woman is 20 years younger.

Be honest — hurtful things occasionally happen in some marriages, but the smart play is to lick your wounds and give it another shot. My Mad Men dad indulged in an episode in his mid 40s, and was busted when the girlfriend wrote a note. Thinking of the kids and contemplating her husband’s dog-like instincts, the wise wife will follow the usual script, which is to make their lives an agonizing hell for a few months and then gradually let it go.

An alleged Clint Eastwood quote, according to a famous actor who ran in the same circles: “Show me a hugely attractive, impressively accomplished, stupendously beautiful woman, and I’ll show you a longtime husband or boyfriend who’s tired of fucking her.”

Ryan Gosling’s idea, I’m presuming, was that post-Barbie he needed to butch himself up, hence the 19th Century gold prospector beard and the styled but un-styled Sutter’s Mill coif. At the same time he didn’t want to over-smother the Barbie association, hence the unbuttoned, chest-baring black shirt and the pink western duster

Saying ixnay to SEXISM, RACISM, FATPHOBIA, HOMOPHOBIA, TRANSPHOBIA, ABLEISM (i.e., giving shit to handicapped people and generally lording it over them) and HATEFULNESS is well and good and noble. But of course wokesters are the spiritual fathers and mothers of AGEISM, or a general all-around dismissal of older white people (and males in particular) who “don’t get” or have otherwise barked at the tenets of woke Maoism. Nobody is more ageist than wokesters — they own it from here to eternity, and it will be carved into their gravestones.

There is no apparent visual evidence that famed director Howard Hawks was ever young. There are many indications, in fact, that he was literally born at age 46 with short silver-gray hair and wearing a series of exquisitely tailored tweed sport jackets.

Hawks gradually aged, of course, into his 50s, 60s, 70s and beyond. He passed at age 81 in December 1977.

Which other Hollywood heavyweights were never young or at least persuaded a good portion of the world that they began their lives in their 40s?

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Never, ever wear whitesides to an Oval Office meeting. Democratic House minority leader Hakeem Jeffries is a good hombre and a skilled operator, but in this instance he should be ashamed of himself. If you’re sporting whitesides you might as well wear knee-length beach shorts or a silky floral print shirt. We’re speaking of plaster cracks in the once-great wall of traditional civilization here. Certain sartorial instincts should be suppressed at all costs.

I mean, will you look at those light blue, horizontally-striped “happy” socks? Seriously…imagine getting dressed for the Oval Office meeting and actually saying to yourself “yeah, these socks definitely work for a White House conference about the debt ceiling…I’ll put them on.”