On the morning of Sunday, 3.25.62, N.Y. Times readers may have scanned a mild little Tom Wicker story about President Jack Kennedy having briefly chatted with former President Dwight D. Eisenhower at the El Dorado Country Club during a weekend visit to the Palm Desert area.
Quoting press secretary Pierre Salinger, Wicker reported that the Kennedy-Ike discussion had lasted “fifty-one minutes.”
Wicker’s story discreetly observed that JFK was “spending the weekend nearby.” What Wicker meant but was professionally obliged to ignore wasn’t “newsworthy” by Times standards, but was certainly legend-worthy. For the Palm Desert dish that Wicker side-stepped was comprised of three tasty intrigues.
One, Kennedy was staying at Bing Crosby’s sprawling, Spanish–style home located within the grounds of Palm Desert’s Ironwood Country Club,
Two, he had decided on the Crosby estate and against staying at Frank Sinatra’s nearby desert home after being told (by either J. Edgar Hoover or Attorney General Robert F. Kennedy or both) that Sinatra had been maintaining close ties with certain mafia figures, and that Kennedy couldn’t afford the tainted association.
And three, that JFK and Marilyn Monroe had not only attended a party the night before (Saturday, 3.24) at the Crosby estate but had spent the night together at a separate cottage on the property.
This is how things worked in the Kennedy era. Big-time, well-connected reporters didn’t touch this kind of material. That was the understanding.
They’re like racehorses in the stall, going “whurhr-huhr-huhr!” and kicking the wall and champing at the bit…“we want to push back at all those elite industry know-it-alls and Telluride tastemakers so badly!…we can’t wait to set them straight.”
…and in so doing making it seem as if Focus Features’ decision to announce an early (11.28) streaming date a week and a half after the 11.10 wide-release launch…all I can tell you is that this early streaming detour made me feel badly..
To repeat, Focus will start streaming one of the best-written, best-acted and best character-driven films of the year on 11.28.
Focus platformed Alexander Payne’s universally-praised Oscar contender on 10.27 and then went wide (1478 screens), as noted, on 11.10.
Over-40s showed up (I caught it a week ago at a local AMC plex) but your texting, short-attention-span, snorting-at-rave-reviews Millennials and Zoomers didn’t flock (presumably unenthused about a film set in 1970 and preferring something more personally relatable) and the take so far is a passable but no-great-shakes $9 million and change.
The Holdovers is not a sentimental nostalgia trip. It authentically recreates that 1970-ish atmosphere, but it’s mainly about top-tier chops — witty writing, careful character building, wry humor and Payne’s ultra-refined filmmaking instincts.
Posted today by World of Reel’s Jordan Ruimy:
…was a moderate realpolitik liberal by early ‘60s standards, and yet by the measurement of today’s political thinking (and certainly compared to the beliefs of the post-2017 censorious wacko left) he would have to be seen as a centrist and even in some respects a center–rightist.
In terms of lightning vibes, cool glamour and soaring oratorical panache JFK’s only equal was and is Barack Obama.
If George McGovern (the “Prairie populist”) had miraculously been elected in ‘72 he might have become, I believe, an inspirational Democratic president. His voice was twangy and his speeches often sounded platitudinous, but he had soul and integrity.
Or he could have suffered the unfortunate political fate of the recently widowed Jimmy Carter.
Bill Clinton, for sure, was and is another charisma prince and an exceptional wowser speech-giver, but administratively he was more or less an Eisenhower Republican.
…because some of her texts on the Israeli-Hamas conflict have implied an anti–Semitic bias, or so some have judged. And so the In The Heights costar has been jettisoned from the next Scream movie.
It’s fair to observe, I think, that there’s an apparent racial-ethnic factor affecting reactions to the Israeli-Hamas war.
If you’re a fair-skinned American or European Jew (fully or partly), you’re naturally going to feel an allegiance with Israel. If you’re from a culture of color that has experienced white avarice or white colonialism or white racism (Barrera is Mexican), you’re going to identify or sympathize with the Palestinian viewpoint.
There appears to be no way for an entertainment industry person to express limited support or at least compassion for presumably innocent Gaza Palestinians caught in the crossfire without taking a career hit.
You can’t say, for example, that “the 10.7 Hamas atrocity was satanic and that the responsible Hamas fiends must suffer the necessary consequences, but many thousands of non-combatant Gaza residents have since died from Israeli reprisals and many more thousands of non-combatants will die in the coming weeks, and that too is tragic.”
Apparently you can’t blurt this out without being regarded askance or getting dropped or cancelled.
This is what Barrera recently said:
But in other texts she implied what sounded to some like a form of racial bias — feelings and convictions in support of Gaza victims but also against Israel’s “white” government and its defensive (or suppressive) military policies
However unwise from a careerist perspective, what Barrera has said seems fairly close to what Barack Obama said on 11.5, Here’s a portion:
…but if Killers of the Flower Moon had resorted to the same dishonest-but-effective Hollywood tactics that Alan Parker’s Mississippi Burning deployed (depicting Tom White in roughly the same fashion as Gene Hackman’s charismatic FBI tough guy, well-crafted villain performances, sprinklings of historical bullshit, an emotionally satisfying resolution)…
If Team Killers had adopted an old-fashioned Alan Parker-like approach it wouldn’t have been as virtuous, but the popcorn crowd would have enjoyed it more.
I’ll never watch Killers again (twice was enough) but I could watch Mississippi Burning any day of the week.
White’s FBI team weren’t “saviors”, but they sure as hell busted William “King” Hale and Ernest Burkhart.
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