Jeffrey Wells

Call it the Poor Things effect…Maggie Gyllenhaal’s The Bride!, a feminist Frankenstein flick set in 1930s Chicago…Guillermo del Toro’s Dr. Frankenstein for Netflix…Zelda Williams and Diablo Cody’s Lisa Frankenstein. That’s it, right? Just three?

I’m sorry but I never want to watch another video of anyone doing any kind of X-treme jumping from cliffs, mountaintops, supertall bridges…no more skydiving or flying-squirrel gliding or free-falling or parachuting or bungee-jumping…I’m imaging that I’ve watched hundreds of these things and henceforth am only interested in wipe-out scenarios, which of course I’m being facetious about as I wouldn’t wish injury or tragedy upon anyone…it’s just the relentless sameness, the monotony, the repetition, the X-treme plague of it all.

…but where and whom you’re seeing it with.

…will suddenly happen out of nowhere. In a twinkling of a batted eyelash, they just seem right and natural and immutably decreed.

…considering that it’s AI–generated and all. It’s hollow and inorganic but decent.

Nikki Haley’s statement about pardoning Trump was disgusting. She and Ron DeSantis can go to hell. Chris Christie was the best of them — a blunt-spoken classic Republican who talked straight and plain about The Beast and the horrific threat he poses.

And a tough break for Maestro’s Bradley Cooper, who absolutely delivered a more dynamic, reach-for-the-skies dazzler than…well. Scorsese anyway. KOTFM is a reasonably good film, but it saddles us with an idiot and drags on and on. HE commenter Mike: “Scorsese is [one of the five] because his film is about indigenous struggle.”

May December has been snubbed, snubbed, snubbed by the SAG Awards nominations. It’s not that I’ve been against Charles Melton as much as unable to understand the bizarre enthusiasm for his sufficient but no-great-shakes performance by Gotham Award suck-ups, New York Film Critics Circle, etc. Now, alas, it’s all gone south. No SAG-AFTRA support, no Oscar nom.

And how, by the way, does director Andrew (All Of Us Strangers) Haigh fit into this? Curious trio. If this was my show I’d have Stiller and Farrell switch roles.

…based primarily on merit, depth, artistic distinction.

HE 100% agrees in the matter of Jeffrey Wright’s American Fiction performance.

…eyes that seemed alert and perceptive but also warm and a bit vulnerable as opposed to the chilly, frozen-eyed, alien-from-Tralfamadore features of Cillian Murphy.

Yes, I’ve finally borrowed “American Prometheus”…better late than never.