The Artist dominated the BAFTA awards this evening — Best Picture, Best Director (Michel Hazanavicius), Best Actor (Jean Dujardin), Best Original Screenplay (Hazanavicius), Best Cinematography, Best Costume Design, Best Music. With each successive award I felt number and number. I am berefet of all feeling…nothing. I’m a cypher sitting in a leather chair.
Previous Update (1:32 pm Pacific): Nobody with their mind and feet half-planted in the real, non-movie-blogging world (like me) gives a damn about the BAFTA awards. The BBC America broadcast is delayed until this evening, and you can’t even watch a live feed online. There’s Twitter, of course, and the blow-by-blows on various film fanatic sites (like In Contention) but who cares anyway? It’s already turning into a celebration of Artist and Hugo love.
All right, I can support the BAFTA guys giving Tyrannosaur director Paddy Considine their Best British Debut award…fine.
Wait…the BAFTAs gave Best Foreign Language Film to Pedro Almodovar‘s The Skin I Live In? Almodovar never makes a bad film and I enjoyed Skin as far as it went, but c’mon — it’s unmistakably one of his lesser efforts. And they blew off A Separation to do this?
Guillaume Schiffman‘s black-and-white cinematography for The Artist was won a BAFTA award. But it didn’t offer a scrupulous recreation of a late 1920s film, which is what The Artist is all about (revisitings, film styles, getting it right) and what it should have been. It looks a little too glossy and fluid. 1920s films were much more static and antiquated looking.
Best Film: The Artist.
Best Actor: Jean Dujardin, The Artist. Wells response: Sigh..whatever.
Best Actress: Meryl Streep, The Iron Lady. Wells response: Maybe this isn’t such a shocker. The Brits voted for a story that portrayed, or at least reflected, their own history and culture. A vot efor Viola Davis would have obviously been a vote portraying or reflecting American culture, so there you are,
Best Director: Michel Hazanavicius, The Artist. Wells response: Why not a BAFTA award for director of most widely-liked default consensus film of 2011?
Best Animated Film: Rango. Wells response: I understood and appreicated of what Rango was up to, but I was bored.
Best Adapted Screenplay: Bridget O’Connor and Peter Straughan, Tinker, Tailor, Soldier, Spy. Wells response: Brits standing up for their own.
Best Documentary: Senna. Wells response: Why not?
Rising Star Award: Adam Deacon. Wells response: Who’s Adam Deacon?
Best Original Screenplay: Michel Hazanavicius, The Artist. Wells response: Better than the original screenplays of Midnight in Paris or A Separation? This is lunacy.
Best Supporting Actress: Octavia Spencer, The Help. Wells response: This means Meryl’s not winning Best Actress…right?
Best British Film: Tinker, Tailor, Soldier, Spy
Best Supporting Actor: Christopher Plummer, Beginners. Wells response: Fine.
Best Production Design: Hugo
Best British Debut: Paddy Considine, Tyrannosaur
Best Foreign Language Film: The Skin I Live In. Wells response: They’re serious?
Best Makeup: The Iron Lady.
Best Costume Design: The Artist. Wells response: Those 1920s outfits were wonderful! I loved them! So accurate!
Best Cinematography: The Artist. Wells response: Not that special, certainly not deserved.
Best Film Editing: Senna.
Best Sound: Hugo.
Best Music: The Artist. Wells response: Give me a break!
Best Visual Effects: Harry Potter and the Deathly Hallows: Part 2.
The BAFTAs are not even being broadcast live in the UK. They take the raw footage and edit it all into a two-hour package — and then the show is broadcast a couple of hours later.