Two brief “Trailers From Hell” essays were posted three or four days ago, one from Brian Trenchard-Smith about Peter Glenville‘s Becket and the other delivered by John Landis, of all people, about Carol Reed and Lewis Milestone‘s Mutiny on the Bounty. Why aren’t these essays better written with better visual materials? And why aren’t they shot in 16 x 9?
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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