“Or look at Phoenix, lifting his head high and proud, as Brando used to do, with an added, cranky stiffness that comes from having, or being, a serious pain in the neck. The eyes narrow and the mouth is awry, one corner twisting into an Elvis curl, though it looks too sour for seduction, let alone song.” — from Anthony Lane‘s 9.17 New Yorker review.
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New Yorker illustration by Thomas Ehretsmann.
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