Roughly a week and a half ago IndieWire‘s Samantha Bergeson reported that Chris Nolan‘s Opppenheimer, which began shooting last month in New Mexico, “will be shot on a combination of IMAX 65mm and 65mm large-format film photography including, for the first time ever, sections in IMAX black-and-white analog photography.” Nobody outside of film critics, film nerds and fanatical Nolan-heads will want to to see this thing — one glance at that black-and-white head shot of Cillian Murphy tells you it’s a box-office stiff — but oh, the tantalizing prospect of black-and-white IMAX footage!
