This is absolutely the most enjoyable post of the day (and the late Pertwillaby can go fuck himself) — a smart, laser-like analysis of the super-precise choices and stylings of David Fincher over the past…oh, 18 years or so. Tony Zhou, the creator of the piece, has assembled a series of Vimeo essays in this vein under the heading “Every Frame A Painting.” Creator, editor, narrator, etc. If this doesn’t fortify the case for Gone Girl‘s Best Picture headwind and Fincher’s Best Director status, nothing will. He’s our Kubrick.
