Last night I began an agonizing reappraisal of today’s Toronto Film Festival options. And I still haven’t figured how to play it. The morning and afternoon schedule is brutal in itself (Sarah Polley‘s widely praised Stories We Tell is the 9:45 am kickoff), but with so much going on this evening, including public screenings of Derek Cianfrance‘s The Place Beyond The Pines and Marina Zenovich‘s Roman Polanski: Odd Man Out plus an Anna Karenina soiree plus a midnight screening of Psychopaths (and I hate how midnight screenings always start at 12:15 or 12:20 am, which always sleep-deprives and screws up up the following day), I’m thinking it might be more sensible to see The Master fresh and clean at tomorrow’s 9 am press screening rather than at tonight’s 9 pm public screening at the Prince of Wales theatre. Maybe. Mulling it over.