Paul Thomas Anderson‘s There Will Be Blood, which I will write about in detail when it opens on Wednesday, and David Fincher‘s Zodiac, which I wrote about when it was released in March, together constitute my 1 through 10,” writes N.Y. Times critic Manohla Dargis in a 12.23 article.
“These aren’t necessarily the year’s best (impossible to determine given the glut of films), just the two that matter most to me, that dug in the deepest and rearranged my own givens. They made me feel like the woman in the start of Orson Welles√ɬ¢√¢‚Äö¬¨√¢‚Äû¬¢s film Touch of Evil who says, ‘I√ɬ¢√¢‚Äö¬¨√¢‚Äû¬¢ve got this ticking noise in my head,’ just before she√ɬ¢√¢‚Äö¬¨√¢‚Äû¬¢s blown to smithereens by a time bomb.
“I√ɬ¢√¢‚Äö¬¨√¢‚Äû¬¢m still intact (more or less), but these films shook up my world in the best possible way.”