Don’t let Joe Carnahan and those Collider guys lead you down the garden path. IMAX or no, they’ll be watching a Warner Home Entertainment abomination — a urine-and-teal-tinted version of Stanley Kubrick‘s 1968 classic. Full disclosure: Despite the reprehensible color scheme, I’ll be paying to see this version on IMAX because I’ve never see it projected in this format, especially in “real” super-size IMAX. I hate giving my money to the Nolan, but I’m compelled.

The neutral colors in the above option is the way this scene should look — the yellow tint is a Nolan creation.