Three or four days ago I disputed Patton Oswalt’s overly admiring description of The Seven–Ups (‘73), a kind of French Connection wannabe cop film that starred Roy Scheider and featured another high-octane car chase. The only film directed by Bullitt and French Connection producer Philip D’Antoni. Decent but second-tier, and no one’s idea of wowser or amazing.
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
More »
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
More »
It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »
Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
More »
For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
More »
Posted on 11.27.23: “One thing that’s always bothered me about Virginia Wolff is that George and Martha’s young guests —...
More »