TheWrap‘s Sam Frago has written that Edgar Wright‘s Baby Driver “exists in this dreamlike state of ecstasy for nearly 70 minutes, [buth] then there’s a peculiar pivot into conventionality.” And while Variety‘s Peter Debruge has called it “a blast, featuring wall-to-wall music and a surfeit of inspired ideas,” he said “it’s also something of a mess.” How do reviews like this result in a 100% Rotten Tomatoes rating? Obviously something stinks in Denmark.
