This clip of Steven Soderbergh discussing conservative-minded resistance to digital filmmaking is a Side by Side outtake, but it’s an indication of the film’s spiritual and intellectual energy. Chris Kenneally and Keanu Reeves‘ doc, easily one of the best of the year and certainly the most historic, peeks out in Los Angeles on 8.17, on VOD 8.22, and then on 8.31 at Manhattan’s Quad Cinema.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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