The last Nymphomaniac update was that (a) the Danish distributor would be screening Lars Von Trier‘s film for local critics on 12.17 and that (b) the British distributor was thinking of screening it for London critics the same day. Soon after I was told by a top Magnolia guy that his company wouldn’t be screening it stateside “before the [12.25] Denmark opening.” This morning a friend told me I could slip into a special Munich screening of Nymphomania this coming Friday — too far, too sudden, too costly. Today another Magnolia guy told me that the company’s policy has changed from “no U.S. screenings this year” to (and I quote) “the only U.S. press that the film is being screened for this year are the trades.” To which I replied, “Does that mean critics for Variety, The Hollywood Reporter, Deadline and The Wrap? Or just the two ‘print’ trades?” I could still see it commercially in Copenhagen starting on 12.25, which would cost me around $1750 or $1800, all in. But you know what? The hell with it. This film isn’t worth it. I don’t care anymore.
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