Walter SallesOn The Road “is masterful and rich and lusty, meditative and sensual and adventurous and lamenting all at once. It has Bernardo Bertolucci‘s ‘nostalgia for the present’ except the present is 1949 to 1951 — it feels completely alive in that time. No hazy gauze, no bop nostalgia. Beautifully shot and cut, excitingly performed and deeply felt.

“It’s much, much better than I thought it would be given the long shoot and…I forget how long it’s been in post but it feels like ages. It’s so full of life and serene and mirthful in so many different ways. I was stirred and delighted and never less than fully engrossed as I watched it, and it’s great to finally run into a film that really hits it, and then hits it again and again.” — from a 5.23.12 Cannes Film Festival posting.