Approach the cinematic oeuvre of Louis Letterier with caution. To me he’s strictly a popcorn-level operator who makes escapist megaplex ghoulash. The Incredible Hulk (i.e., the one that came out in ’08 with Edward Norton) wasn’t half-bad, but Clash of the Titans (’10) was punishment. And my God, the paycheck vibe coming off these performers! Yes, of course — we all get paid and so what? But something about this particular group says “we are slick salesmen — pay us what we want and we’ll be in your movie.”
Hi, I’m Jesse Eisenberg. You may recall my intense, mercurial performance as Mark Zuckerberg in The Social Network but that was then and this is now. I agreed to make this film because I liked the script (by Ed Solomon, Boaz Yakin, Edward Ricourt), but also, let’s face it, because they met my quote.
Hi, I’m Morgan Freeman and I’ll act in almost anything, even Olympus Has Fallen, as long as you pay me handsomely. All I care about is hanging out on the farm with my horses so nothing matters.
Hi, I’m Michael Caine, and if I have to explain that I’ll appear in almost anything (including Jaws 4: The Revenge) for the right price, you haven’t been paying attention.
Hi, I’m Woody Harrelson…hi, I’m Isla Fisher…hi, I’m Mark Ruffalo…and so on.
Summit/Lionsgate is releasing Now You See Me on 5.31.
Synopsis: “The Four Horsemen, a magic super-group led by the charismatic Michael Atlas (Eisenberg), perform a pair of high-tech magic shows, first astonishing audiences by robbing a bank on another continent, and then exposing a white-collar criminal and funneling his millions into the audience members’ bank accounts.
“FBI Special Agent Dylan Hobbs (Ruffalo) is determined to make the magicians pay for their crimes—and to stop them before they pull off what promises to be an even more audacious heist. But he’s forced to partner with Alma Vargas (Melanie Laurent), an Interpol detective about whom he is instantly suspicious. Out of desperation he turns to Thaddeus Bradley (Freeman), a famed magic debunker, who claims the bank heist was accomplished using disguises and video trickery.
“As pressure mounts and the world awaits the Horsemen’s spectacular final trick, Dylan and Alma race to find an answer. But it soon becomes painfully clear that staying one step ahead of these masters of illusion is beyond the skills of any one man—or woman.”