“Hurricane Billy” Friedkin has been ducking press inquiries about the notorious and ignoble French Connection censorship matter, but if he attends the ‘23 Venice Film Festival to promote his latest film, The Caine Mutiny Court–Martial, which will play out of competition, we’ve got him! He won’t be able to wiggle or slither or sidestep his way out of it.
Woody Allen’s Coup de Chance and Wes Anderson’s The Wonderful Story of Henry Sugar will also screen in Venice a few weeks hence…yay!
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
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Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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Posted on 11.27.23: “One thing that’s always bothered me about Virginia Wolff is that George and Martha’s young guests —...
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