On the 40th anniversary of Easy Rider (which I personally commemorated with a purchase of the recently released Bluray, which makes the film seem vibrant and highly attuned and freshly found), Slate‘s Keith Phipps went on a journey that followed Peter Fonda and Dennis Hopper‘s original path, and has written an essay about the movie, its legacy, and how the places it visited have changed.
Roughly two months ago a very early draft of Eric Roth‘s screenplay for Killers of the Flower Moon (dated 2.20.17,...
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Frances McDormand‘s Fern was strong but mule-stubborn and at the end of the day self-destructive, and this stunted psychology led...
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Can’t decide which performance is better, although I’ve always leaned toward Tina Vitale, her cynical New Jersey moll behind the...
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Two days ago (1.19) a Facebook tribute congratulated Tippi Hedren for having reached her 94th year (blow out the candles!)...
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A friend suggested a list of the Ten Best American Crime Flicks of the ‘70s. By which he meant films...
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I’ve never been able to give myself over to Sam Peckinpah’s Major Dundee, a 1965 Civil War–era western, and I’ve...
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