One of the reasons Evita works as well as it does (in my book it’s a great movie musical) is the editing, which really follows and fortifies the music. The late Gerry Hambling (1926-2013), a longtime collaborator with director Alan Parker, understands the cadence and discipline that goes into good cutting. Apply the Parker-Hambling aesthetic to the cinematography by Darius Khondji, and the result is just about perfect.
