Filed by Vanity Fair‘s Richard Lawson on 9.16.16: “Holly Hunter stars as an administrator at a southern university who, still mourning her son seven years after his death, sets off on something of a fact-finding mission to discover what exactly happened to him the night that he died, and how his grad-school business plan for a hot-dog restaurant (yup) ended up in the hands of a school friend, who’s now a successful hot-dog entrepreneur.

Strange Weather is overwritten, with characters speaking in a stilted, presentational style oddly reminiscent of early Dawson’s Creek. But when it’s good, the script has an admirable frankness — it’s refreshingly not coy about its emotions and intents.

“Hunter is earthy and immediate as a mother whose grief has hardened into a paralyzing, everyday anger — often masked by good cheer and a cigarette, but suddenly erupting out of her with the arrival of new information. Hunter’s road-trip pal is the terrific Carrie Coon, and the two have a lively rapport, particularly in one long, bruising scene in which some old secrets are laid bare. Strange Weather maintains its mellow, southern-slowed vibe even through the most emotional stuff, but by the end the film has crept up and delivered a sudden, unexpected punch.”