I opened this New York Post story by Stephen B. Hunt about “a sold-out Eurpean tour” thinking it would be about the junket-whore DaVinci Code train from London to Cannes that leaves on Monday or something and arrives in Cannes just before the press and gala screenings start on Tuesday night, 5.16. But nope…just another DaVinci hubbub story.
This Variety variation by Elizabeth Guider about how the film is expected to fare a European country-by-country basis is more interesting.
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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