In his just-up review, New York Times critic A.O. Scott tears into Dan Brown ‘s DaVinci Code prose style with more relish than he does Ron Howard‘s new film. He doesn’t like it, but there’s no sting in his words. There’s a shark-tank feeding frenzy going on over here…the word on DaVinci is bad, bad, bad all over…a perfect opportunity for the less discriminating to buck the tide…and Scott doesn’t seem to be feeling the spirit.