Leo’s Calvin Candie sells itself, but my first glance at Samuel L. Jackson‘s Stephen was a timeflash. I forgot about Quentin Tarantino‘s film (Weinstein Co., 12.25) and went back to Woody Strode‘s old Pompey from the opening portion of John Ford‘s The Man Who Shot Liberty Valance, dressed in a Naval officer’s uniform as he gives testimony at the Caine Mutiny court martial.