Just to bend over and be fair, Cahiers du Cinema has put Sofia Coppola‘s Marie-Antoinette on the cover of its latest issue, and critic Jean- Michel Frondon is calling it “a delicious miracle.” There’s also a fairly lengthy interview with Coppola.
Just to bend over and be fair, Cahiers du Cinema has put Sofia Coppola‘s Marie-Antoinette on the cover of its latest issue, and critic Jean- Michel Frondon is calling it “a delicious miracle.” There’s also a fairly lengthy interview with Coppola.
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
More »7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
More »It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
More »Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
More »For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
More »