I found this official release poster for Capitalism: A Love Story on In Contention. And then I read some of the comments. Every In Contention reader who says the one-sheet is cool but they need to remove Moore is dealing from a short deck. One, Moore is always the star of his films. His mentality/attitude/snark is the point. He’s the roly-poly Gary Cooper figure ready to stand up to City Hall and/or the Frank Miller gang. And two, he’s depicted as a small-scaled monochrome figure, which suggests a contained ego.
