Common sense issues undermine John Krasinki‘s original A Quiet Place (’18), of course. The most glaring, for me, is the decision by Evelyn and Lee Abbott (Emily Blunt, Krasinski) to have a baby, which of course is tantamount to suicide in the “be silent or die” realm in which they’re trapped.
“Instead of addressing the gaping plot holes — why has no one else figured out the aliens’ weakness (they can’t handle tinny, high-pitched sounds generated by cochlear implants), or why these creatures have such scary teeth if they don’t stop to eat anything — the new film wagers if you’re on board for the ride, logic shouldn’t matter.
“But it does make a difference, and anyone bothered by the way Krasinski has already ignored such glaring inconsistencies as the monsters’ ability to hear small noises from far away, but not breathing or heartbeats mere inches from their ears, will drive themselves crazy this time around.
“As the helmer’s canvas widens, it becomes even harder to overlook the obvious (like the decision to transport a baby through open spaces), amounting to a cunningly executed thriller that will leave half the audience wondering, ‘Why didn’t they just do that in the first place?'”