I’m so queer for monochrome that I’d be delighted if one-fifth of all feature releases, say, were shot in this mode. Because black-and-white pretty much trumpets the fact that you’re sitting at home (or in a theatre) and watching a “movie.” There are some films in particular, however, that I’d really love to see in those sharp, silvery, glistening tones. Revolutionary Road, I feel, would be heaven in monochrome. Ditto the World War II-era Valkyrie. I can’t be the only one who thinks this way. Which films would others like to see, or would have loved to see, in black and white? Risky Business would never work in monochrome; ditto Body Heat, Raiders of the Lost Ark, Weekend at Bernie’s, Jaws and ten thousand other films.