For a solid ten years of Cannes-ing (2010 through 2019) my press badge was Steve Buscemi-plus — pink with a yellow pastille. That yellow dot meant a lot in terms of screening access; it was almost the same as having a Harvey Keitel pass (aka Mr. White).
Three years ago the Cannes press office downgraded my pass to plain pink, but I begged them to once again give me a yellow dot, and they obliged.
A couple of hours ago I was plain-pinked again. I went up to the press office to request the usual usual, but the staffers assured me that with the relatively recent pain-in-the-ass online ticket request system (no more lineups) there really isn’t much difference between pink and pink-yellow. Full access to all press conferences, etc.
I don’t know why but I didn’t fight it this time. In the parlance of David Mamet, I “imperceptibly slumped.”